Each variety of clay expresses its character through textures that generate a unique, resonant tone. This synaesthetic process translates tactile experience into sound and visual form, with every piece reflecting its own identity and exposing the material’s inner essence. As touch and hearing interact, a dynamic exchange takes shape, and as these concealed harmonies surface, a composition gradually comes into being.
Tsz Wai Cheri Tang earned her Bachelor of Fine Arts from RMIT University / Hong Kong Art School. Her practice encompasses ceramics, sound, synaesthesia, and embodied perception, focusing on the acoustic properties of materials through immersive installations.
By working with ceramics and discarded industrial objects, she transforms them into resonant sound vessels, uncovering the hidden sonic possibilities within mundane. Drawing inspiration from the phenomenon of synaesthesia, her work invites audiences into multisensory environments where touch, sight, and sound merge and interact.